2025
Parry, Owen G. (2025) Adrian Street’s Welsh Working-Class “Exotic”. in the conversation piece ‘Instituting Queer Art in Britain’, ed. Theo Gordon and Laura Guy, in ‘Queer Art in Britain Since the 1980s’, ed. Fiona Anderson, Flora Dunster, Theo Gordon and Laura Guy, special issue, British Art Studies (27). ISSN 2058-5462
Parry, Owen G. (2025) Fanformance Art: The Practice of Making Fanfiction Real. In: Theatre Fandom: Engaged Audiences in the Twenty-first Century. University of Iowa Press, Iowa City, pp. 161-173. ISBN 9781685970123
2024
Parry, Owen G. (2024). I am Not and Never have I Ever Been, text produced for Offprint London 2024, Tate Modern, 17-19 May 2024.
Parry, Owen G. (2024), ‘Eight poor copies (electric speech)’, Journal of Writing in Creative Practice, Special Issue: ‘Ways of Writing in Art and Design II’ Part 2’, 17:1, pp. 91–101, https://doi.org/10.1386/jwcp_00064_1
2023
Parry, Owen G. (2023). ‘Freedom is a Performance Hangout* (*click on this fake sweat distraction technique to release infinite scroll’, Performance Research: On Meeting, 28·2 : 28 (2). pp. 29-38.
2021
• Parry O. Review: Jake Elwes, The Zizi Show – A Deepfake Drag Cabaret (Edinburgh: The New Real, Edinburgh Futures Institute, 2020)’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.2 (2021), 203–07.
2020
• Parry O.G., 'Her East Coast Vibe: Notes on an Album Launch 08 Feb 2020', Stolen Voices, 3 Feb 2020.
2019
• Parry, O. G., ‘Shipping (as) Fandom and Art Practice’ (Nov 2019) ed. by Grant. C and Love, K. Fandom as Methodology, Goldsmiths Press.
2018
• Parry, O. G., ‘Fully Automated Larry Stylinson’ (June, 2018). Obieg no. 8, Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland.
• Parry, O. G., ‘Yoko Ono Fan Fiction’ (2018). The Creative Critic: Writing as / about Practice, ed. Hilevaara, K. and Orley E, Routledge.
• Parry, O. G., '8 Poor Copies', (April 2018). Beth Emily Richards: Poor Copy, Catalogue, Northern Charter, Newcastle.
• Parry, O. G., 'Ah! Jinjhaa!' (Sep 2018). Artist PlayGround: South Korea, Catalogue, National Theatre Wales, Uk Korea.
2017
• Parry, O. G., ‘fic.the.sky’, The New Inquiry, 10 October 2017.
2016
• Parry, O. G., ‘Sex, Work, and Negative Affects in Participatory Performance’ (Dec 2016). Contemporary Theatre Review, Interventions.
• Parry, O. G., Larry!Monument’ (2016). Jerwood Encounters: Common Property, Jerwood Visual Arts Catalogue.
• Parry, O. G., ‘Larry is Real: Interview’ (2016). Fansplaining Podcast, Episode 16, 24 Feb, 2016.
• Parry, O. G., ‘Size Queen’ (2016). General Fine Arts, ed. Clarke, Tom, issue 1: vol. 2.
2015
• Parry, O. G., ‘Fictional Realness: Towards a Colloquial Performance Practice (2015) Performance Research 20:5.108-115.
• Parry, O. G., ‘Live Art Fanzine’, (Oct 2015). Fan Riot Press, (Commissioned by Live Art Development Agency).
• Parry, O. G., ‘On Larry Love: Owen G. Parry Interviews Fan Artist Karukara’, (Oct 2015) Heterophobia, Salt, Issue 7.
• Parry, O. G., ‘Mpreg Versus Homonormcore’, The New Inquiry, 24 Aug 2015.
2011/13
Parry, O. G., Lobel, B, et al, "The Morning After: a Roundtable on Cruising for Art", Lobel, Performing Ethos, 3:2. 2011.
• Parry, O. G., "Lineages of Trash: Owen Parry interviews 'legend, icon, wild-hearted demoness bad-girl bitch' - Penny Arcade", (2013), Live Art Almanac, Vol 3. Oberon Books, London.
• Parry, O. G. and Florencio, J. eds. Dance Theatre Journal: Trashing Dance Theatre Journal, 24. 3. 2011.